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Archive for November 2014

Three Great Stories About The Sea

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Today marks the end of National Short Story Week and I actually did read quite a bit of short fiction, including two great stories about the sea.

First up, ‘Drawn Up From Deep Places’ by Gemma Files. This is part of my continued read-through of Beneath Ceaseless Skies and is exactly the sort of ‘Literary Adventure Fantasy’ I’ve been searching for. It is part of a series so I’m looking forward to going back to read ‘Two Captains’ as well as future installments.

Next, ‘The Mussel Eater’ by Octavia Cade. I only discovered Cade earlier in the year but she has had a prolific and impressive 2014. ‘The Mussel Eater’ is shorter and sharper than most of the other work she published this year but is wonderful to have. Equally wonderful to have is Book Smugglers Publishing.

As well as reading, I also made a rare excursion outside the house to see Bonnie ‘Prince’ Billy at my old local church, St John’s in Hackney. I hadn’t read anything about the gig in advance so was surprised and pleased to see he was joined by Matt Sweeney which meant we were treated to this rendition of ‘My Home Is The Sea’:

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Written by Martin

23 November 2014 at 08:15

BSFA Review – Vector #277

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I’m writing this a few weeks after Loncon 3 and though – with the aid of green vegetables and a few early nights – I’ve kicked the con crud, I still can’t shake the Hugos hangover. This year’s awards were a pretty poor showing for British SF that reflected a mediocre 2013 in terms of what was published. Not so 2014: Wolves by Simon Ings and The Race by Nina Allan are both works of British SF as well as being simply SF by British authors and are two of the best examples in recent years. Allan, in particular, seems like she is hitting the peak of her career, a deepening and coalescing even of the obvious talent on display in last year’s BSFA Award-winning Spin. Of course, neither have a hope in hell of getting anywhere near the Hugos but I’m hoping the Clarke Award judges and BSFA members may look more favourably on them. Being less parochial for minute, I’m going to cheat and cast a pre-emptive vote for work that hasn’t actually finished being published yet. However, on the strengths of the first two volumes, Jeff Vandermeer’s Southern Reach trilogy is already a clear award contender. Dan Hartland will be reviewing the series for Vector as soon as the final book is out (although he may have to wait for me to read it first). Short fiction is always harder for me than novels and I need to do much more reading around (or, even, better, I need more people to perform triage for me). I do have one early contender for Best Novella though: ‘Trading Rosemary’ by OJ Cade. A web of memories strung together into a surprisingly satisfying story, it is made b its atmosphere and the steel of its protagonist. I’m really looking forward to reading her latest novella, ‘The Don’t Girls’. In his review of Noir and La Femme, both edited by Ian Whates, Martin McGrath points readers towards some other potential candidates come awards time, including my own favourite stories in the anthology courtesy of Frances Hardinge and Vector’s own Paul Graham Raven. We have quite a few more anthology reviews forthcoming and my own resolution is to check out the online magazines more often. But if I could compel you to go out and read one piece of fiction it would be Sex Criminals by Matt Fraction and Chip Zdarsky. Best Graphic Story is always a bit of a weak category because the Worldcon membership simply don’t know enough about comics (me included) but this is the real deal. Suzie can make time stop every time she has an orgasm. She thinks she is alone until she meets Jon who has the same ‘gift’. Obviously, they decide to rob a bank. There was so much potential for this to go wrong but Fraction and Zdarsky get it deliriously right. One for your Christmas list. Oh, and if you were at Loncon, I really hope you saw Tessa Farmer’s extraordinary realisation of a wasp factory, one of several tributes to the late Iain Banks. I’ll certainly be nominating it for the BSFA Award for Best Artwork.

Reviews

  • Noir and La Femme, edited by Ian Whates (Newcon Press, 2014) – Reviewed by Martin McGrath
  • Astra by Naomi Foyle (Jo Fletcher Books, 2014) – Reviewed by Jim Steel
  • Aliens: Recent Encounters, edited by Alex Dally MacFarlane (Prime, 2013) – Reviewed by David Hebblethwaite
  • Glaze by Kim Curran (Jurassic London, 2014) – Reviewed by Maureen Kincaid Speller
  • Mars Evacuees by Sophia McDougall (Egmont 2014) – Reviewed by Anne F Wilson
  • Lupus Rex by John Carter Cash (Ravenstone Books, 2013) – Reviewed by Alan Fraser
  • Martian Sands (PS Publishing, 2013) and The Violent Century (Hodder & Stoughton, 2013) by Lavie Tidhar – Reviewed by Shaun Green
  • The Brick Moon & Another Brick In The Moon by Edward Everett Hale and Adam Roberts (Jurassic London, 2014) – Reviewed by Paul Kincaid
  • Call And Response (Beccon Publications, 2014) – Reviewed by Andy Sawyer
  • The Moon King by Neil Williamson (NewCon Press, 2014) – Reviewed by Kate Onyett
  • The Corpse-Rat King by Lee Battersby (Angry Robot, 2012) – Reviewed by Sue Thomason
  • The Leopard by KV Johansen (Pyr, 2014) – Reviewed by Graham Andrews

Written by Martin

14 November 2014 at 19:40

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Strident And Playful

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As a coda to my Worldcon report, Strange Horizons have just published a new interview with Iain Banks. The interview was conducted by Jude Roberts, who was with me on that ‘Dropping The M’ panel, as part of her PhD.

This interview was made available as part of the The 2014 Strange Horizons Fund Drive. You already know they are great so why note donate? Plus: prizes!

Written by Martin

13 November 2014 at 19:14

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