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Hugo Nominations – Best Novella, Best Novelette & Best Short Story

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Once again, I must confess to dereliction. I can count the genre short fiction published in 2013 that I read in 2013 on the fingers of one hand. I’ve read considerably more in the last two months or so but nowhere near enough. Luckily, there are better curators out there:

Nussbaum opens her post by saying:

They also reaffirm my belief in the vibrancy and relevance of the genre short fiction scene. I don’t know another genre in which ordinary readers habitually get excited about short stories the way that SFF readers do, and in which those stories are an integral part of the conversation surrounding the genre. I certainly don’t know another genre in which short fiction venues are proliferating–whether it’s online venues or original anthologies (often funded by Kickstarters). Far more than the best novel category, it seems to me, the short fiction categories give us a glimpse of the genre’s present state – and of its future – which is why it’s so important to me that they represent the richness and diversity of what’s being published.

I’m not sure I quite agree. There is obviously something unique about the speculative fiction short fiction landscape and worth cherishing. But whilst short fiction is part of the conversation, the discourse remains dominated by novels. At the moment, short fiction strikes me less as a glimpse into the genre’s future than a parallel universe and that is where I think the Hugos and the other short fiction awards have a role in shining a spotlight, amplfying the conversation and bridging the gap.

Best Novella

  • Spin by Nina Allan (TTA Press)
  • Black Helicopter by Caitlín R Kiernan (Subterranean Press)

I was also planning to nominate ‘The Eye With Which The Universe Beholds Itself’ by Ian Sales (Whippleshield Books) but he’s done that himself and saved me the bother.

Best Novelette

I’ll confess I spent more time looking for a tweet from Howard Mittelmark suggesting that a novelette was “an omelette with a little book in it” than I did actually reading them. I think it is a silly term and, like several Hugo categories, is not in common usage outside the genre. Compare and contrast, for example, the Wikipedia article for novelette with those for novella and short story. Then wince a bit at the way SF shoves itself into the latter two.

A counter-argument for retaining the category put forward by Nussbaum is that “the short fiction categories, with their wider perspective and lower stakes, give a better snapshot of the field and its interests” than Best Novel. I would agree that removing Best Novelette and having five slots for novels, five for novellas and five for short stories would leave the awards unbalanced. My solution would be to have a ten slot shortlist for stories up to 17,500 words (there’s probably an argument for having ten slots for Best Novel too).

Best Short Story

With the above in mind and given I haven’t finished reading yet, here are ten short stories I enjoyed:

You will notice that almost all of these stories were published in small online magazines. If you are less of a purist than me, you might consider these venues for Best Semiprozine.

Written by Martin

26 March 2014 at 08:32

Posted in awards, sf, short stories

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  1. […] Best Novella […]

  2. At the moment, short fiction strikes me less as a glimpse into the genre’s future than a parallel universe

    I didn’t get a chance to expand on this as much as I would have liked but it has been echoed by Jonathan McCalmont:

    The problem with short fiction is that there is a complete disconnect between the amount of short fiction that gets published and the amount of short fiction that gets discussed. Indeed, while the market for short fiction has grown exponentially in the ten years that I have been paying attention to the field, the number of venues paying active attention the stuff getting published has actually shrunk as all attempts to set up websites devoted to reviewing short fiction have been met with a deafening wall of indifference. The only explanation for the field’s complete lack of interest in short fiction is that genre short fiction is in the process of becoming its own field; a self-sustaining social structure in which the venues who pay to publish short fiction are kept alive entirely by people hoping to one day become short fiction writers.


    31 March 2014 at 07:35

  3. […] my first year of eligibility for the Campbell award. Thank you to Rachel Swirsky, Abigail Nussbaum, Martin Petto, Jed Hartman, and everyone else who has recommended my stories or me for these […]

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