Everyone Is Entitled To My Opinion
The sixty submissions were read, the shortlist was agreed, the six shortlisted novels were re-read, the winner was agreed and, finally, The Testament Of Jessie Lamb by Jane Rodgers was announced as the winner of the 2012 Arthur C Clarke Award last week. I missed the ceremony last year because I was on holiday so I made sure I did it properly this year. This involved lining my stomach over the road from the Apollo at the Japan Centre’s newish restaurant Toku in order to take advantage of the free bar (this being central London, a bottle of Peroni was £5.05 at the afterparty). Inside the venue I was impressed to find awards director Tom Hunter wearing a tie (for the first time?) and that I was not the only one dressed to impressed (photos forthcoming in SFX, I believe). It isn’t the easiest to mingle but it was nice to chat to old friends. I also finally met Claire Brialey (despite working not just in fandom but the same building our paths had never crossed), got Simon Ings to confirm that Dead Water isn’t SF (although he pointed out that the author is dead) and fanboyed Jeff Noon about Vurt changing my life (unlike Paul Graham Raven I waited until he’d left the urinal) and got talking to a random Canadian who turned out to be Jim Munroe, author of the excellent Everyone In Silico (he was in town promoting Ghosts With Shit Jobs at Sci-FiLondon). All in all, a good evening out and I only managed to spill a small amount of red wine on myself.
It was an immense privilege to be a Clarke judge. After two years, it is also a pleasure to hand the responsibility on to the next set of judges. It also means I am free to indulge in prolifigate book buying:
- My Dirty Little Book Of Stolen Time by Liz Jensen – I reviewed The Rapture for Strange Horizons so when I saw this for a quid in Whitstable I snapped it up.
- The Illywhacker by Peter Carey – From the same shop. Carey must be one of the top five living authors and this is the only one of his novels I didn’t own.
- The Company Man by Robert Jackson Bennett – Mysteriously not submitted for the Clarke Award, Bennett is getting a reputation for doing interesting interstitial things within commercial fiction.
- The Oxford History Of Britain, edited Kenneth O Morgan – Partly inspired by Mark Newton’s posts about Roman history and partly inspired by my huge ignorance of anything that happened before World War II.
- Dark Matter by Juli Zeh – Her latest novel, The Method, was brought to my attention by Niall Harrison but it isn’t out in paperback yet so I thought I’d try this.
- Dark Matter by Michelle Paver – A coincidental title and a random punt in that Whitstable bookshop.
- Edgelands by Paul Farley and Michael Symmons Roberts – I’m not sure how this first came to my attention but liminal zones float my boat.
- Ready Player One by Ernest Cline – Called in for the Clarke but not submitted, this debut SF novel received pretty good reviews.
- Beechcombings by Richard Mabey – Having exhausted Roger Deakin and in need of the nature cure, I turn to Mabey.
- The Sisters Brothers by Patrick deWitt – Purchased and already read. Well done me! FT puff says “Cormac McCarthy with a sense of humour” which is good shorthand but overselling an extremely readable but relatively lightweight novel.
- Swamplandia! by Karen Russell – Pretty much ubiquitous last year. It was shortlisted for the Pulitzer Prize which demonstrated that the Clarke isn’t the only award to attract controversy.
- Wildwood by Colin Meloy – A rare hardback purchase (it costs less than most paperbacks), this is the first novel from the bloke behind The Decemberists. I love his lyrics, will I love his prose?
Trying to muscle in on the photo is My Beautiful Dark Twisted Fantasy by Kanye West. I have spent pretty much the whole of 2012 listening to Watch The Throne by him and Jay-Z and, if you want to know why, you should check out this brilliant profile-cum-tour diary by David Samuels in the Atlantic. Or just buy it.
I also have Edgelands and the Zeh Dark Matter sitting in my ‘to read soon’ pile, so we may be able to compare notes. The Method is in paperback, it’s just trade paperback (but not as big as Gollancz trade paperbacks).
Niall
10 May 2012 at 10:28
What is this with only being able to comment with an actual WordPress account?
Niall
10 May 2012 at 10:28
I also have Edgelands and the Zeh Dark Matter sitting in my ‘to read soon’ pile, so we may be able to compare notes.
I knew you had Dark Matter but I’m excited to here about Edgelands. Let’s definitely compare notes.
The Method is in paperback, it’s just trade paperback (but not as big as Gollancz trade paperbacks).
Bah. A TPB is as bad as a HB and “not as big as Gollancz” is damning with faint praise.
What is this with only being able to comment with an actual WordPress account?
Oh bloody hell, what are WordPress up to now? There is nothing obvious in my settings – does anyone have any clues?
Martin
10 May 2012 at 10:35
To be specific, I bought Edgelands at Christmas, and it is now near the top of my non-fiction pile. Need to finish Chavs first, though.
To give a bit more detail about the commenting thing, what happens is that it recognises my email address, then instead of just posting the comment (as used to happen), it redirects me to a page saying this email is associated with a WordPress account and asking me to log in. I can’t see an option to skip the login, and the email address is required to post a comment. It does seem to be a general WordPress thing, I had it on another blog earlier today.
Niall
10 May 2012 at 10:38
Perhaps it is something I have no control over then and you need to disassociate your email from Torque Control to stop it forcing the association. I’ve also just now started receiving two sets of comments by email – something to do with the Follow function? Thanks a bunch, WordPress. Still, at least it isn’t Blogger.
Martin
10 May 2012 at 10:45
You should read the new Carey. It’s almost steampunk.
Ray Garraty
16 May 2012 at 20:27