On Sunday, I went down to the Southbank to see The Edges Of The World, the Ernesto Neto exhibition at the Hayward. It is a really fun experience, the whole think is imbued with a child-like sense of joy about the world, from the sculpture like a giant geometric toy to the colourful womb-like space the The fact you have to take your shoes off further breaks down your sense of adulthood and the actual kids were loving it.
Downstairs it was a bit more serious (but not much) at the New Decor exhibition which was essentially artists versus interiors. My favourite piece was actually the most serious: Jin Shi’s 1/2 Life which takes its inspiration from the explotation of migrant labour. In contrast, the rest of it was all rather playful (with mixed results – a lot of the Gelitin pieces looked like modern art cliches). Even the toilets got in on the act:
Is this part of the exhibit or is it always like this? Anyway, we wondered out into the sun to be confronted by a model favela outside. This was an installation artists Haas & Hahn, a sort of slum version of Home Sweet Home*:
Their social project ‘Project Morrinho’ is one that takes the form of a miniature city built by young people in Rio de Janeiro from brick, paint and other found materials inspired by the landscape, architecture and everyday life of the favelas that span the city.
In unwitting homage to the name of the project, some nob had extensively tagged it with Chelsea graffiti. This didn’t look particularly out of place though, the London kids invovled in making it obviously weren’t overly blessed with imagination.
Then it was across town to the V&A for 1:1 Architects In Small Spaces (hence the trip to Thai Square). Okay, I’ll be honest I was going there for one main reason: The Ark. It was every bit as awesome as I’d hoped but unfortunately none of my photos came out. So instead here is a picture of the equally awesome Ratatoskr (named after Drill Tooth, the Norse messenger squirrel). It was made by scanning twelve birch trees, digitally knitting them together and then cutting them out and combining for real. The result is incredibly impressive.
The Beetle House was another favourite and has given me an overpowering urge to buy a shed and take a blowtorch to it. The exhibition is free and I would highly recommend getting down (the rest of the V&A is pretty amazing too). If you can’t, I’ve got a few more photos and you should check out the concept submissions online.
* My house is the red one with flowers coming out of it at the top left of that photo.