Posts Tagged ‘paul di filippo’
‘Pinocchia’ by Paul Di Filippo
Now, to awaken her, he had only to speak her name, a name he had chosen and suitably altered in memory of a fairytale he had enjoyed as a child, a fairytale whose creator-figure harmonized vaguely with Geppi’s own name and vocation.
How convenient. This is, obviously, a fairytale re-telling where – in keeping with the theme of the anthology – it is Pinocchia’s clit which grows every time she lies. It isn’t just stealing the premise, in style and structure it apes a fairytale.
I skipped forward to this story in the anthology because of this post by Alex Dally MacFarlane which starts: “I’ll skip any preamble: I read a story, I disliked it strongly, I am now ranting about it.” Her mistake is to read the story as an example of realism rather than as a cartoon. Within this context rape becomes just another activity. MacFarlane accurately concludes: “It all seems to be about the sex, rather than a true journey of self-discovery.” ‘Pinocchia’ is (perhaps unsurprisingly) rather similar to di Filippo’s erotic novel, A Mouthful of Tongues: Her Totipotent Tropicanalia; it is mostly concerned with the eroticism of variety and indulgence. That is too say a very broad sort of story, unconcerned with the way people actually think, feel or behave.
Quality: ***
Sexiness: ***
An Open Letter To Paul Di Filippo
When even SF Murphy recognises there is a problem, just how far from the pack have you strayed?
‘Weeping Walls’ by Paul Di Filippo
I’m a big fan of Di Filippo but he is very prolific and this is only average. Two silly satires in the form of the seperate careers of a married couple collide glibly. End of. It does at least look forward – unlike a surprising number of stories in this anthology – but it is hardly boundary pushing.
Quality: ***
Shiftiness: **
In his intro Sarrantonio suggests Di Filippo is “an able postpunk successor to the likes of the great Philip Jose Farmer”. Anyone care to unpack that musical analogy? I’ve got as far as Farmer being Viv Stanshall but then everything collapses under the strain of the temporal shift Sarrantonio’s comment implies.
He is also wowed that that one of Di Filippo’s collections contains a story “in which a costumed Franz Kafka – yes, I said Franz Kafka – roams the night of Manhattan as the avenger Jackdaw”. Oh my God! Franz Kafka! My mind is blown! I am starting to suspect Sarratonio’s shiftiness is not my shiftiness.
