Archive for the ‘music’ Category
Only one sleep till Worldcon – this is my con anthem.
‘Pass This On’ by Dan Sartain – my tune of the month. Admittedly the month in question was April but hey, it’s out now. The video might not be a patch on the original but it has a disgracefully low number of views. So I thought I’d post it here.
March 2014 is the 25th anniversary of the murder of Laura Palmer in Twin Peaks. I watched the series for the first time last year and it is a gloriously odd. Not just odd in the way we might describe a work as Lynchian these days but often straight up baffling and sometimes simply bad. That goes double for Fire Walk With Me. But when it works, it really works. So I thought I would share my favourite scene from the series, one of the most unexpectedly powerful bits of television I can remember:
The score for Twin Peaks was composed by Angelo Badalamenti and has proved as enduring as the television series itself. This includes ‘Laura’s Theme’ which was a part of my life long before I’d even heard of Lynch via Moby:
Badalamenti describes composing the theme with Lynch at the beginning of this extraordinary Essential Mix by Nicolas Jaar:
(That mix truly is essential, make sure you download it.)
The paradoxes of being a heavy reader is that you don’t really like to receive books as gifts. “Oh, a book! Wonderful! I’ll pencil that in for 2018…” But, of course, a book is never unwelcome. My wife got me The Breakfast Bible by Seb Emina and Malcolm Eggs (of the London Review Of Breakfasts) for Christmas and I’ve been reading it in bite-sized chunks since then. I have learnt many things along the say but the most important is that to make a perfect soft boiled egg, all you need to do is place a large room-temperature egg into simmering water and then put on ‘Wuthering Heights’ by Kate Bush:
When the song is finished so is the egg.
Strange Horizons has published its year in review which features – as it does most years -a contribution from yours truly. Mostly I use it as an opportunity to praise the shortlists of last year’s Kitschies (whilst still managing to get a quick dig in) but I also just had space for The Water Sign by CS Samulski. As Kameron Hurley says in the comments, it isn’t a book without flaws but it is bloody exciting. In terms of other reviewers, I think the book that gets the most recommendations is Life After Life by Kate Atkinson. I enjoyed her previous fantasy work, Not The End Of The World , and, to a lesser extent Case Histories so this goes on the list.
In terms of my non-SF recommendations for the year, well, you need to have this:
Yeezus is mixture of the ridiculous and the sublime (usually within the same song), written and performed by a total arse who just happens to be a genius.
Romain Gavras directed the ginger genocide video for MIA’s ‘Born Free’. He subsequently expanded this idea into the truly terrible film Our Day Will Come. So let’s ignore that and watch his badass video of MIA’s ‘Bad Girls’ instead:
I’ve mentioned my love of Girl Talk before and it hasn’t gone away. ‘Feed The Animals’ and its follow up ‘All Day’ are never off my iPod and are invaluable in the gym. As I have been running along like a hamster in an underground bunker where I am forced to watch Loose Women with the subtitles on, I’ve often thought what a good soundtrack these music collages would make for a piece of contemporary dance. Turns out Wild Combination had the same idea and produced Girl Walk. Here is the first chapter:
So, if you ever see me on the streets of London, that’s what I’m doing on the inside.
I’m probably late to this party but I’ve just discovered BRAT Productions. Most of his productions are above average mashups featuring cheesy Seventies rock but this combination of The Eagles, Lamb and American Beauty is rather special:
(This post was delayed from last month because I couldn’t work out how to embed Vimeo videos so the party is even later. I still can’t centre align it. Bah.)
The shortlist for the Mercury Music Prize was announced yesterday and it was a bit of a damp squib. Not that it doesn’t contain a lot of good music but I can’t remember a more conservative list. As coincidence would have it, I have been absolutely rinsing the xx album (one of the shortlisted twelve) this week. It is the most immediate album I’ve heard in some time, an accessibility that isn’t at the expense of depth. It is also one of the most sensual. I remember someone telling be that Soulvaki by Slowdive was their favourite make out album at college and this is an album very much in that mold. You picture half-closed blinds, tiger-striping a room with morning light, full ashtrays, lethagy and lust. Regardless of this – and the fact the xx are bookies’ favourite – I will be sticking a fiver on Laura Marling.