Lightborn Vs Version 43
Today I received two books from Orbit and, whilst I am looking forward to reading both, it was their covers that particularly struck me. Here is Lightborn by Tricia Sullivan:
And here is Version 43 by Philip Palmer:
The cover for Lightborn was designed by Nathan Burton and art directed by Duncan Spilling (more here, including larger image). The cover for Version 43 was photographed by Eric Westpheling and art directed by Lauren Panepinto (more here, including larger image). Both covers take radical yet radically different approaches to complimenting the work behind them
Lightborn has a stark, monochrome cover depicting light being split by a prism where, instead of producing a rainbow, it simply fans out in a grey wave. As well as harmonising with the title, it signals a novel with serious intent and presumably a dark future. It reminds me a bit of Gollancz’s paper space opera series but I’m worried it is too non-descript (the typeface is also very small for a novel). However, when I mentioned this cover on Twitter several people said that they thought it would stand out by virtue of the fact it is so different to other SF covers.
In contrast, I really do think Version 43 stands out. The cover is split between text and image and both are highly distinctive. The top half is a blue bold background with a really strong and unusual typeface (as well as a small element of graphic design). The bottom half is a photo an Action Man figure with several more in silhouette. Again, this harmonises with the title, a disposable figure in a conformist society. The protagonist of the novel is a cyborg cop, “more programme than man”, and the harsh light, stern expression and menacing shadows set a hard-boiled tone. It isn’t quite as instantly brilliant as the similar cover for his previous novel but it is pretty damn good. From comments elsewhere, it is also seems to be divisive though.