Burn This Manifesto
It has been a short week but it has also been a hard, slow week. So not much content round here but I’m reading The Hundred Thousand Kingdoms by NK Jemisin, I’m off to see Kick-Ass tonight and I will be returning to The Ascent Of Wonder soon.
What do you consider the most significant weakness in science fiction as a genre?
A preparedness to accept very poor levels of quality in fiction (as discussed above) so long as the gosh-wow factor is cranked up sufficiently high. Recently I was asked in an interview if I watched much TV and in response I cited The Wire as the finest TV drama around. This wasn’t what the interviewer was after, so he rephrased the question and asked me if I watched much SF&F TV. But the way he prefaced the remark was, I think, very telling. Of course they’re not in the same class as The Wire, he said, but have you seen the new Battlestar Galactica or Heroes?
As I mentioned over there, this picking up on an interview I conducted with him in 2007 and it has in turn sparked a long and interesting comments thread on Torque Control. I agree with Morgan pretty much wholeheartedly, right down to the frack/fuck issue, and it has always been a sore point for me that most SF TV is so poor.
Niall also points me towards Ritch Calvin’s ‘Mundane SF 101′ essay in Volume 289 of SFRA Review. There are a couple of notable things about this essay. Firstly, it has recently won the Mary Kay Bray Award. Secondly, it describes Niall as “her”. Thirdly, Calvin writes that:
After the Manifesto was published, critics and criticism were swift and ranged from the well considered to the vitriolic. One of the first individuals to produce an extended commentary was Ian McDonald on his LiveJournal blog.