The Ideal Falling Motion Of A Body
It hit her hard when she first saw it, the day after, in the newspaper. The man headlong, the towers behind him. The mass of the towers filled the frame of the picture. The man falling, the towers continuous, she thought, behind him. The enormous soaring lines, the vertical column stripes. The man with blood on his shirt, she thought, or burn marks, and the effect of the columns behind him, the composition, she thought, darker stripes for the nearer tower, the north, lighter for the other, and the mass, the immensity of it all, and the man set set almost precisely between the rows of darker and lighter stripes. Headlong, free fall, she thought, and this picture burnt a hole in her mind and heart, dear God, he was a falling angel and his beauty was horrific.
Don DeLillo, Falling Man, 2007
DeLillo’s character is discussing Richard Drew’s infamous photo from which the novel takes its name. It is the obvious cover for the book but at the same time it is not the sort of image that you can slap text over and use a sales pitch. Instead the publishers have used a photo by Katy Day Weisberger which takes the opposite approach, moving back, rising up, relegating the Twin Towers themselves to the back cover. It is an equally fitting companion to the work DeLillo has produced. (The UK paperback cover also removes the clever but perhaps ill-judged typographical trick from the original cover.)